People like to speak about a golden era of movies\u2014the precise dimensions of which often shift based on the generation of the speaker\u2014when Hollywood made products that\u00a0were sexier, smarter, and just generally better. Richard Linklater\u2019s \u201cHit Man\u201d is for them.\u00a0<\/p>\n
Like its protagonist\u2019s ability to basically change identities depending on the situation, it\u2019s a film that knows what its clients need, shifting from comedy to romance to thriller to a philosophical study of the human capacity to change. It\u2019s one of the smartest films in years, a movie that\u2019s reminiscent of everything from classic noir\u00a0to the smooth delivery of\u00a0Steven Soderbergh\u2019s \u201cOut of Sight\u201d in its willingness to be damn sexy and morally complex at the same time. Don\u2019t miss this one.<\/p>\n
Very loosely based on a true story, \u201cHit Man\u201d stars Glen Powell (who also co-wrote this stellar script with Linklater) as Gary Johnson, a New Orleans-based professor who has been assisting the police department with menial tasks like planting bugs and connecting wires in the surveillance van. When a slimy undercover agent named Jasper (Austin Amelio) gets suspended for 120 days for some violence involving teenagers\u2014one gets the impression it probably should have been much longer\u2014Gary is forced to step in and improvise on the job. It turns out he\u2019s really<\/em> good at it, convincing a sleazebag named Craig (Mike Markoff) that he\u2019s a professional killer by detailing his technique when it comes to body disposal. Gary\u2019s colleagues (memorably played by Retta and Sanjay Rao) suggest that the mild-mannered cat lover and bird watcher should be their new undercover hit man. <\/p>\n Gary takes his new assignment very seriously, researching the people asking for a murder for hire in a way that makes them more likely to hand over the money. His ability to shape himself into the right man for the job could even be read as a bit of a meta-commentary on acting itself\u2014he\u2019s playing dress up, but he\u2019s also doing the same kind of research and character work that Powell himself has done for dozens of roles. And, of course, Gary\u2019s personality gamesmanship reflects his teachings about philosophy, not only in how his background allows him to read people but in how the different characters change Gary himself.<\/p>\n And that\u2019s when Ron enters the picture. When Madison (Adria Arjona) tries to hire a hit man, she meets Ron (aka Gary) in a diner called the Please U Caf\u00e9\u2014like so many choices in Powell & Linklater\u2019s blindingly smart script, even that name doesn\u2019t seem accidental. Ron listens to her story about her abusive husband, Ray, and he makes the sudden decision to save Madison from herself. Take the money you were going to spend on murder and start a new life. It\u2019s only one of many beats in the back half of\u00a0\u201cHit Man\u201d that\u2019s a bit morally ambiguous. What if Madison just goes and hires someone else, and someone ends up dead? So much of what follows, as Ron\/Gary and Madison begin a romantic relationship, will have viewers wondering what they\u2019re supposed to be rooting for to happen next. <\/p>\n That\u2019s part of the unpredictable brilliance of \u201cHit Man.\u201d So many movies telegraph their plot twists and underline their moral messages. \u201cHit Man\u201d does none<\/em> of that. If you asked a dozen people to guess where it was going at the halfway mark, or even where they\u00a0want<\/em> it to go, you\u2019d get 12 different answers. Linklater & Powell\u2019s script constantly stays one step ahead of the viewers, making us eager to see what happens next and often surprised by what unfolds. I\u2019m not sure it all adds up without loose plot threads, but it\u2019s so wildly entertaining to take this twisting journey that it doesn\u2019t matter. <\/p>\n It\u2019s also sexy as Hell. The first scene between Powell and Arjona feels like a bolt of lightning, given how rarely we see actual screen chemistry in modern movies. Hey, look, it\u2019s two people being movie stars<\/em>. Their instant chemistry becomes the foundation for the back half of the movie as what was kind of a goofy comedy shifts more into thriller and even noir, genres that allow for a bit of moral ambiguity. Without spoiling, \u201cHit Man\u201d goes to some pretty daring places narratively where other filmmakers and studios would have headed for more predictable moral waters. \u201cHit Man\u201d recalls noirs and thrillers in which we rooted for the leads to get away with relatively heinous acts in the name of entertainment and didn’t think about the repercussions. <\/p>\n That last thought might make \u201cHit Man\u201d seem like little more than a lark. It\u2019s not. This film will be underrated in its complexity, a study of how easy it is to become what we pretend we are. It\u2019s about how we like to define people by their jobs, or even if they\u2019re a cat or dog person, but one of the great things about humanity is our ability to surprise even ourselves. (Powell is SO good at selling the improvised choices that Gary makes in a way that’s essential to the film’s success.)\u00a0It\u2019s a deceptively well-made flick that appears to be Linklater in little more than his \u201clet\u2019s have fun\u201d mode. But it can\u2019t keep one of the smartest filmmakers of his generation from elevating everything that this movie is trying to do with remarkable depth. \u00a0 <\/p>\n","protected":false},"excerpt":{"rendered":" People like to speak about a golden era of movies\u2014the precise dimensions of which often shift based on the generation of the speaker\u2014when Hollywood made products that\u00a0were sexier, smarter, and just generally better. Richard Linklater\u2019s \u201cHit Man\u201d is for them.\u00a0 Like its protagonist\u2019s ability to basically change identities depending on the situation, it\u2019s a film …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[33,50,46],"class_list":["post-1191","post","type-post","status-publish","format-standard","hentry","category-comedy-movies","tag-comedy","tag-crime","tag-netflix"],"_links":{"self":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/posts\/1191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/comments?post=1191"}],"version-history":[{"count":0,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/posts\/1191\/revisions"}],"wp:attachment":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/media?parent=1191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/categories?post=1191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/tags?post=1191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}