{"id":1483,"date":"2024-08-09T13:15:17","date_gmt":"2024-08-09T13:15:17","guid":{"rendered":"https:\/\/us.celebrity2000.com\/index.php\/2024\/08\/09\/not-not-jazz\/"},"modified":"2024-08-09T13:15:17","modified_gmt":"2024-08-09T13:15:17","slug":"not-not-jazz","status":"publish","type":"post","link":"https:\/\/us.celebrity2000.com\/index.php\/2024\/08\/09\/not-not-jazz\/","title":{"rendered":"Not Not Jazz"},"content":{"rendered":"<p>There&#8217;s a scene in &#8220;Not Not Jazz,&#8221; a film about the fusion jazz trio Medeski Martin &amp; Wood, where the camera prowls slowly around bassist Chris Wood as he slowly saws his upright bass on an upstate New York\u00a0tennis court dotted with fallen leaves. There are a lot of scenes like that in &#8220;Not Not Jazz.&#8221; I suspect that if you&#8217;re as interested in the\u00a0process of music as in\u00a0the result, it&#8217;ll be one of the elements you&#8217;ll like most about the movie.\u00a0<\/p>\n<p>Directed by Jason Miller\u2014and shot by camera operator Htat Lin Htut with such musicality that he deserves to be considered a fourth band member\u2014&#8221;Not Not Jazz&#8221;\u00a0is a short feature (74 minutes, not including credits). It perhaps feels a\u00a0little too short for this viewer&#8217;s taste, because it doesn&#8217;t deliver on the stated premise that it&#8217;s about watching a group improvise their way through a new album in the Hudson\u00a0Valley&#8217;s\u00a0Allaire Studios (this turns out to be more of a pretext for a truncated and fragmented history of the band, scattered amid moments in which\u00a0music is discussed, worked-through, or recorded).\u00a0<\/p>\n<p>The movie\u00a0doesn&#8217;t go in the other direction, either, and become a\u00a0decadently committed wallow in momentary pleasures and sensations that it could&#8217;ve gotten away with being. (The\u00a0audience\u00a0is going to be 95 percent people who like the band and\/or jazz-adjacent music anyway.) There are references to intrapersonal troubles that the band had over the years but it&#8217;s not delved into with any sort of specificity. The best we get is a rather tossed-off remark from their manager Liz Penta (a producer on the movie) that they had to go into group therapy to work through problems, but we don&#8217;t find out\u00a0what they were. \u00a0<\/p>\n<p>Still, this is a lovely piece of work that compensates for its flaws and omissions by giving you things you rarely get in music documentaries. If you&#8217;ve been in a band or know anyone who&#8217;s been in a band, you&#8217;ll recognize the energy flowing between Wood, bassist Billy\u00a0Martin and keyboard player\u00a0John Medeski. They&#8217;re been together long enough (33 years) to have developed not just a rapport but their own heretically sealed language consisting of sound fragments that are spoken as well as\u00a0played.\u00a0<\/p>\n<p>It&#8217;s not often that you&#8217;re given as many opportunities as &#8220;Not Not Jazz&#8221;\u00a0presents to see artists actually making art. The parts of the movie that concentrate on the process are far more eloquent than the standard-issue moments where we watch one of the band members walking through the woods while musing in voice-over. A piece might start out as an idea for a melody or rhythmic signature, get built-out in a session where the three guys just sort of noodle around, and be refined in conversations in the studio or some other room of the building (the kitchen is a hot spot) where two or all of the musicans discuss the work in progress. Sometimes one of them will say something like, &#8220;what if I\u00a0go doot-doot-doot, doot-<em>doot-doot-doot<\/em>?&#8221; and another will accompany\u00a0them with another cartoonish noise. They complete each other&#8217;s sentences. Sometimes they don&#8217;t even need to finish a sentence; one of them will just go, &#8220;right, right,&#8221; or something along those lines, and no further elaboration will be necessary. \u00a0<\/p>\n<p>Apparently, the road that led to this comfortable place\u00a0wasn&#8217;t smooth. The band reached prominence in the late 90s at a time when their recording label (then Blue Note, home of many jazz greats) was still financially supporting the efforts of instrumental-only ensembles like Medeski, Martin &amp;\u00a0Wood. Then record labels withdrew most of their support of that kind of music and the band had to find its own way through the marketplace.\u00a0<\/p>\n<p>They figured it out because they had a good sense of themselves early on, and doubled-down on that self-image rather than trying to do something that might have been perceived\u00a0as\u00a0commercial (whether any kind of jazz is really &#8220;commercial&#8221; is probably a subject for another movie, one I&#8217;d like to see). Penta\u2014who booked them into CB&#8217;s Gallery, the avant-garde boutique space within CBGB&#8217;s in New York\u00a0City\u2014says the guys had a hunch that a wider audience of rock fans might vibe with their music if they could only put it in front of them. When\u00a0Penta became their manager, she hired a booker who got them into a lot of punk rock-focused venues, where they thrived. &#8220;They are all very studied jazz or classical musicians,&#8221; she says, &#8220;but they felt that music didn&#8217;t necessarily belong in jazz clubs which felt exclusive or expensive. They wanted to take that music into rock clubs (because) people could access it.&#8221;\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s a scene in &#8220;Not Not Jazz,&#8221; a film about the fusion jazz trio Medeski Martin &amp; Wood, where the camera prowls slowly around bassist Chris Wood as he slowly saws his upright bass on an upstate New York\u00a0tennis court dotted with fallen leaves. There are a lot of scenes like that in &#8220;Not Not &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[43,40],"class_list":["post-1483","post","type-post","status-publish","format-standard","hentry","category-documentary-movies","tag-documentary","tag-music"],"_links":{"self":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/posts\/1483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/comments?post=1483"}],"version-history":[{"count":0,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/posts\/1483\/revisions"}],"wp:attachment":[{"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/media?parent=1483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/categories?post=1483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/us.celebrity2000.com\/index.php\/wp-json\/wp\/v2\/tags?post=1483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}