The Animal Kingdom
Another day, another traffic jam. A father, François (Romain Duris), chides his son Émile (Paul Kircher) for feeding the family dog potato chips. He tells his son to stay away from them as well since they’re probably not very good for him, and Émile rolls his eyes as any 16-years-old would. They argue. Émile gets out of their car in defiance since the traffic is at a standstill. Suddenly, an ambulance stuck in the opposite lane of traffic starts to wobble and out bursts a bird-like man. He escapes, and the son and the father run back to their car in shock. “Strange days!” a neighboring driver responds. It is an understatement.
In Thomas Cailley’s striking sci-fi fantasy “The Animal Kingdom,” the birdman is a sign of things to come. In this present-day world, some humans have started to genetically mutate into other species, morphing into winged, reptilian, beastly hybrids that the larger non-mutated society have decided to ostracize, keeping them in hospitals or zoo-like centers away from the rest of the population, even their loved ones, for the potential risk that they can hurt someone with their outsized claws, fangs, and wings.
This was the case for Émile’s mother, Lana, who is shown only briefly at first in the hospital with fur growing around her eyes. Soon, there are other creature sightings in the background and in the forest. This is their new normal. Running parallel to these fantastic beasts are problems of everyday life – of a son challenging his father’s authority, François starting a new job, and Émile struggling to fit into his new school. Then, Émile starts to have problems riding his bike, his mannerisms are changing beyond his control, his back feels different, and soon, fur and claws appear. He is also mutating.
“The Animal Kingdom” moves swiftly between its characters’ everyday problems and the story’s fantastical elements in a magical realist way that quickly captivates its viewer. Cailley, who co-wrote the film with Pauline Munier, uses the creatures as a metaphor for how the world responds to health crises. Because they are not understood and feared, they are locked away from the rest of this society, which recalls how some countries isolated the first wave of HIV/AIDS patients in the late ‘80s and early ‘90s. In the movie, characters spoke of other countries adapting to live side-by-side with the humanoid creatures and showed how politicized the issue became among Émile’s classmates and François’ boss, which mirrored the discussion around how other countries handled the recent COVID-19 epidemic and how politicized the discourse around public health and safety became around the issue. That life still continued during these “strange days” of masking, testing, periods of isolation, and family tragedy for some only makes “The Animal Kingdom” all the more relevant.
