Movie-CelebRity2000

Sharks, while undeniably lethal, are also, studies have shown, kind of dumb. And…

Jane Giles and Ali Catterall’s documentary “Scala!!!” is about a legendary, notorious,…

Sleep paralysis demons deserve a better fictional riff than “Nightmare,” a bland…

Whatever you expect from an Alex Garland movie, he always gives you something…

“Dusk for a Hitman” is a husk of a great film. Director…

“I’ve been called a witch, a slut, and a murderer. Maybe people…

The truly impressive slice of nightmare fuel, “Disappear Completely,” premiering on Netflix today…

When you hear the premise of Josh Margolin’s feature debut, “Thelma,” you…

Would you like to know the day you will die? It’s a…

This chronicle of retired American cyclist Greg LeMond’s tiring, tumultuous return to…

“Imaginary” is the newest chapter of the Blumhouse lineup, directed by “Truth…

The original “Megamind,” released in 2010, was a fresh, funny, and heartwarming…

While neither particularly profound nor earth-shatteringly scary, “Suitable Flesh” is better than…

Todd Verow’s thriller “You Can’t Stay Here” takes viewers into the heart…

Do you remember “Nightwatch,” the 1994 Danish thriller about a young psych…

Pop music really can change your life. That’s part of the setup…

For the first 15 minutes of “What Remains,” we follow around a…

Now, 189 days into his mission, Jakub Prochazka (Adam Sandler), the forlorn…

I have spent hundreds of hours in the worlds of Gearbox Software…

For a few gossamer years in the 2010s, movie fans ate well—perhaps…

After the comparatively “normal” visions of “The Favourite” and “Poor Things,” Yorgos…

The trailer for “Abigail” tells you almost everything you need to know…

John Woo’s new film is a revenge thriller with such a predictable plot that one…

In his second directorial effort, the underwhelming “Knox Goes Away,” Michael Keaton…

“Rob Peace,” based on a true story about the tragically short but inspiring…

Early in Zoë Kravitz’s directorial debut, we are introduced to Slater King…

The Cronenberg cinematic family tree adds another branch this week with the…

The crew of a space craft peering out its window at the…

Beginning with a wonky opening chase sequence, “Trigger Warning” lacks urgency. Beginning…

Let’s get one obvious thing out of the way: Yes, it hasn’t…

Mark Wahlberg has displayed enough comic timing and action chops in previous…

There has been a growing subgenre of non-fiction films that I jokingly…

It’s recess at a small school in Nigeria and the boys are…

Love is pain in several ways in “Fingernails.” In the near future…

Remember this name: Aksel Hennie. If “Pioneer,” a mixed bag of a…

“Kim’s Video” reaches so hard for quirky profundity that it falls on…

“Red Dragon” opens with the pleasure of seeing Hannibal Lecter as he…

I have seen so many hagiographic clip reels masquerading as documentaries that…

The story of settler colonialism in North America is one of disappeared…

A searing drama about a European refugee crisis that resonates with similar…

Just when you thought it was safe to go back in the…

“Touch,” from Icelandic director Baltasar Kormákur, is vast in scope, stretching over…

Daisy Ridley battles jellyfish and the patriarchy with equal pluck and aplomb…

Last year, Hong Kong filmmaker Herman Yau directed at least two of…

“Slave Play. Not A Movie. A Play.,” a film by playwright Jeremy…

You may remember a scene in the cult classic “Repo Man” in…

If you take a step back from the realistic locations and terse…

We film lovers perpetually bang the drum about how cinema enables us…

There’s no shortage of films that consider the Holocaust or Israel’s founding. But…

One girl was asked about a significant Supreme Court case and picked…

Vampires are all the rage in film and television these days. Some…

“Twelve Angry Men” remains a monument of American filmmaking, and more than…

Emma (Kaley Cuoco) lives a double life. She has a loving husband,…

“Phone Booth” is a religious fable, a show biz fable, or both.…

“Caveat,” Damian Mc Carthy’s directorial debut, was unnerving in the extreme. So,…

It’s hard to imagine that this summer will see a better crowd-pleaser…

The hall porter is sent upstairs to repair a blocked toilet, and…

Last month, I was a juror in the Narrative Feature category at…

“Madame Web” is not the unmitigated disaster that its clunky trailer or…

Nathan Silver’s “Between the Temples” opens with a loud, keening blast from…

“What would you say if your daughter told you her boyfriend pushed…

Advertising “Founder Days” as a “bold political slasher” gives too much credit…

Inadequacy peeks from behind the uncomfortable smiles and passive aggressive remarks that…

For most college students, the hazy, liminal space of a post-graduation summer…

“The Seeding,” a bleak horror movie about a hiker who gets trapped…

Heavily inspired by Alfred Hitchcock’s influence on Brian De Palma, Nacho Vigalondo’s…

Director Sam Taylor-Johnson’s “Back to Black” invokes a single question, one fans…

As mundane as its title, with characters whose color-by-numbers personalities and motivations…

A lot of movies begin with poetic quotations, but “The Hurt Locker”…

In the DC Expanded Universe of films, which appears to be winding…

Every one of the recent English language kaiju epics from Legendary Pictures…

Clint Eastwood’s “Blood Work” opens with an FBI agent of retirement age…

Before you see a single frame of Vera Drew’s Batman-soaked satire “The…

It takes up to four men to restrain Emile Hirsch in “State…

Ninety-one minutes, including seven for closing credits, isn’t enough for “Sting,” a…

In Amanda Nell Eu’s coming-of-age tale, “Tiger Stripes,” a young girl in…

“When you record a moment, you’re recording the death of a moment.”…

The personal essay film is a tricky genre, because when you get…

It brings me absolutely no joy to report that “The Marvels” is…

When many of us think of vacationing on the Mediterranean, the first…