Movie-CelebRity2000

The movie opens with the flat, confiding voice of Tommy Lee Jones.…

The truly impressive slice of nightmare fuel, “Disappear Completely,” premiering on Netflix today…

Watching “Outlaw Posse,” you get the sense that writer-director Mario Van Peebles…

Jenna Marvin is a fearless 21-year-old queer artist in Russia. Using found…

Among other things, Brian Eno is a pioneer in what’s called “generative…

The name Hammer used to command a certain level of respect in…

“Lift” is as generic and forgettable as its title, the kind of…

“If you’re gonna survive in these hills, you’ll have to get used…

Nastiness in horror movies is like a seasoning: essential for flavor, though…

“My relationship with food is complicated …very complicated. Because I have Type…

There has been a growing subgenre of non-fiction films that I jokingly…

If you put Nancy Drew in a teen slasher take of “It’s…

The original “My Spy” from 2020 was a surprisingly amusing romp with…

“When you record a moment, you’re recording the death of a moment.”…

When “Caligula” arrived in theaters in 1979, it came in on a…

“Red Dragon” opens with the pleasure of seeing Hannibal Lecter as he…

Pablo Berger’s “Robot Dreams” is a lovely fable about partnership and imagination,…

Like many people of my approximate age, my childhood was heavily touched…

One of my great great great grandfathers fought for the Union and…

There’s a scene in “Not Not Jazz,” a film about the fusion…

“What would you say if your daughter told you her boyfriend pushed…

If you’re lucky enough to attend an early screening of John Krasinski’s…

In his latest movie “The Convert,” director and co-writer Lee Tamahori returns…

For the first 15 minutes of “What Remains,” we follow around a…

New York magazine ran a cover story years ago calling John Ford’s…

Every afternoon, as Xavier (Atibon Nazaire) pulls into his driveway after work,…

“LaRoy, Texas” immediately tests your expectations. Driving down a dark dirt country…

“Road House” likes to explicitly reference that it thinks it’s a Western.…

Sleep paralysis demons deserve a better fictional riff than “Nightmare,” a bland…

James Mangold’s “3:10 to Yuma” restores the wounded heart of the Western…

Advertising “Founder Days” as a “bold political slasher” gives too much credit…

“Last Stop in Yuma County” is the kind of movie where you…

Let’s get one obvious thing out of the way: Yes, it hasn’t…

It’s natural to be suspicious of an Angel Studios picture; after all,…

In 2013, Angela Patton gave a TEDXWomen Talk that went viral. She…

I didn’t think Doug Liman could deliver a worse film than “Road…

“Kim’s Video” reaches so hard for quirky profundity that it falls on…

A local icon in San Francisco who made a national impact on…

Contains language around sexual abuse Bridgett M. Davis’ 1996 film “Naked Acts,”…

“Terrestrial Verses,” one of the most brilliant and provocative films to emerge…

Characterizing Belgian co-directors/writers Helene Cattet and Bruno Forzani’s style is tricky since…

Gene Wilder couldn’t have chosen a better stage name. “Gene” is so…

Kei Chika-ura’s “Great Absence” is obviously a personal piece, the kind of…

How to make sense of “Five Nights at Freddy’s,” a family-friendly horror…

Not gonna lie, this had me in the first half. In its…

After the comparatively “normal” visions of “The Favourite” and “Poor Things,” Yorgos…

Valérie Donzelli’s “Just the Two of Us” is reminiscent of the “women’s…

In Amanda Nell Eu’s coming-of-age tale, “Tiger Stripes,” a young girl in…

“One Hour Photo” tells the story of Seymour “Sy” Parrish, who works…

When does rooting for the damned stop being worthwhile or even productive?…

Jane Schoenbrun’s second narrative feature is a gnawing search for belonging in…

Is there any scenario in which “Late Night with the Devil” could have…

Vampires are all the rage in film and television these days. Some…

Cinematic depictions of ancient or near-ancient times have come a long way…

Emma (Kaley Cuoco) lives a double life. She has a loving husband,…

“Immaculate” feels like both a throwback to another era of Italian horror…

The Australian-born novelist and essayist Lily Brett is the daughter of Holocaust…

2008’s “The Strangers” didn’t seem like the kind of film that would…

Instead of a feature-length movie, “The Grab,” a 106-minute documentary about shady…

One of the pleasures of being a critic is getting assigned to…

Several enemies of the state are murdered on live TV in a…

In 1964, Robert Rauschenberg won the coveted Golden Lion at the Venice…

If you’re a distinguished older male actor in Hollywood, you’re typically cast as…

Four tall, scruffy creatures amble through a storybook forest. They walk, they…

Chris Pine’s first film as a director, “Poolman,” is a character comedy about oddball…

Music, we are told, makes the people come together. Music, it so…

The story of settler colonialism in North America is one of disappeared…

When the United States withdrew from Afghanistan in August 2021, you couldn’t…

I didn’t believe a single second of “Crumb Catcher.” It begins with…

“Ghostlight,” which focuses on a construction worker drawn into a production of…

“High and Low – John Galliano” by Academy Award-winning director Kevin Macdonald took me…

Just when you thought it was safe to go back in the…

“Madame Web” is not the unmitigated disaster that its clunky trailer or…

Neil LaBute’s “Lakeview Terrace” is a film about a black cop who…

I wish I could erase “The American Society of Magical Negros” from…

The final words of his 1953 novel “The Unnamable” — “I can’t…

A proudly old-fashioned Gothic fable with grain and grit, the delectable “Vourdalak”…

John Woo’s new film is a revenge thriller with such a predictable plot that one…

The opening image of this movie, out of focus, seems to be…

Over the last few years, there has been a trend of opulent…