Art College 1994
It’s weirdly funny to see a year mentioned in the title of “Art College 1994,” an animated Chinese college dorm rom-com about young people and their greatest loves, themselves. You could easily imagine this feature-length cartoon taking place in another time or place without losing much of either its specificity or universality. Swap out a Nirvana poster or a multi-tiered tape-deck stereo, and you’ll still have an unsentimental and quietly unsparing portrait of idealistic undergrads at a pivotal moment when they start to realize how small they are in the world that awaits them after graduation.
Director/co-writer Liu Jian’s affection for his impulsive young characters adds a welcome variation to the usual pre-graduation coming-of-age story’s concerns for life after college. It’s funny because it’s true, and not only to its young subjects’ inconstant values. These art students, like most art students, take themselves too seriously and also live in a beautiful oasis that fosters tendencies that, to anyone else, must seem indulgent. “Art College 1994” is unassumingly sweet because it’s about young people and their eternal quest for freedom and self-expression, mostly inside their own navels.
“Art College 1994” is a time capsule about that shimmering moment in time when you think you know exactly what you’re talking about without knowing much at all. Liu (“Have a Nice Day”) shows an unusual patience and fascination with his characters, whose overlapping stories tend to meander more than they progress. There’s some intrigue about who will go where after school and who’s dating whom, making fair weather partners out of musical students Hao Lili (Zhuo Dongyu) and Gao Hong (Papi) and fine arts majors Zhifei (Shaoxing) and Xiaojun (Dong Zijian). There’s also a frequently rotated cast of supporting characters who receive and project their own ideas back at these four core main protagonists.
Liu focuses more on his characters’ academic setting since his blinkered twenty-somethings only think they know what they want and only on their own vaguely personal terms. Jokes about the art world and its young, impressionable supporters abound. Some are more amusing than laugh-aloud funny, though even that makes sense since most people in this movie don’t seem to have an outdoor voice.
A museum curator’s “manifesto” is greeted with shrugs—“I know every word here, but I don’t understand a thing.” A bemused student teases a well-traveled artist from Taiwan (renowned filmmaker Jia Zhangke) with a quasi-Daoist question—“Is the moon more beautiful abroad?”—and is instantly shut down by an embarrassed administrator: “Please don’t bring up things unrelated to today’s topic.” Art is burned for freedom and portfolios’ sake, and love matches are pursued and rescinded with startling regularity. Also, really, you’re engaged to him—you, so soon??
